Where’s Project Gutenberg? One difficulty in launching an ebook platform is the lack of available titles. I keep hearing about 80,000+ titles, but expressed as a percentage of Amazon’s book catalog, it’s minuscule. There should be all kind of public domain titles ready to go on day one. And where’s the Creative Commons books?
There’s some public domain books to be found, but none are free. Take, for example, A Connecticut Yankee in King Arthur’s Court, a book (in paper form) sitting just out of arm’s reach as I write this, waiting to be read. If I had it on a device, particularly one with a good screen, I’d be more inclined to keep it, and dozens others, on hand in my backback and be ready to read at a moment’s notice. But no.
The problem is the the “we take care of the wireless delivery” part, called Whispernet(tm). It’s not really free, nor bundled in the service price. It’s bundled in to the cost of every media access. Is it fair to pay $9.99 for a New York Times bestseller? Sure. But it sucks to pay $1 for an A-list blog that’s free everywhere else, or to get literally nickeled and dimed for the privelege of “converting” and delivering your own content to your own device.
By the way, who gets the money paid for accessing, say, a CreativeCommons non-commercial licensed blog via the Kindle? Somebody should look into that.
I applaud Amazon for pushing to innovate in a space that badly needs it, but the financial model behind the wireless access encourages the wrong kind of things. Exceptions, like unlimited Wikipedia access (be still my heart!) still need to be hand approved by the gatekeeper. Information wants to be free, it doesn’t want to be a service, though that’s hard to see when the dollar signs get in your eyes.
Many folks are comparing this to the original iPod launch–remember, the huge klunky one with a tiny capacity, black and white screen, and a mechanical click-wheel? There’s some strong points of similarity, but stronger differences. For one, anyone with an iPod can easily rip their existing CDs, not to mention obtain MP3s from other methods (so I hear). There’s nothing like that yet for books.
Where’s the documentation for the new, proprietary ebook format? I don’t care about the DRM crap. I care about being able to create new content, or repackage existing content for which I have the rights, and for that, I’m having trouble coming up with a rationale for an entire new format. I would love to do some cool things with this platform. Perhaps I will some day, though my enthusiasm is somewhat lessened by the difficulties I would face getting anything cool onto the devices. -m